[5] It is understandable for this reason why it sometimes happens that pieces refused by all theatrical managers obtain a prodigious success when by a stroke of chance they are put on the stage. The recent success of Francois Coppee＇s play 'Pour la Couronne' is well known, and yet, in spite of the name of its author, it was refused during ten years by the managers of the principal Parisian theatres.
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